I certainly enjoyed watching ARC, ANGLE and V working together as a well leveraged and happy trio.
Everyone now knows about the Bow-Hand, the Bow-Arm Box and String levels.
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I asked BRIDGE to teach you about the bow’s contact-point and string lanesHi, BRIDGE! Please tell us more.
Pretty soon you will be bowing your string instrument, but first it is important to learn about the bow’s contact-point on the string.
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Hello, All! Good to be back.
Much like the location of my fingerboard top hat, the contact made by the bow hair on the strings, remains parallel to the top of the bridge when bowing.
The bow is moved horizontally back and forth when performing down-bows and up-bows, and the bow hair contact on the string must be parallel to the top of the bridge.
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Pictured to the left, the bow’s contact-point on the string is parallel to the top of the bridge.
Logically, the location that the bow hair makes with the string is called the Contact-Point.
Clear and resonant sounds are produced when the bow is drawn parallel to the bridge. 
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Introducing the Bow     Parts of the Bow     The Stick     Horse-Hair     The Tip     The Frog     The Winding     How the Bow Works 
 Rosin     Preparing to Hold the Bow     Stick Training Exercises     Bowing Terminology     Down-Bow     Up-Bow     

Bow-Hand Set-Up    Finger Tasks and Functions     The Thumb     Meet ARC     Finger Segments     The Index-Finger   
Bow-Hand Pronation      The Center-Finger and Ring-Finger     Bow-Hand Fulcrum     Ring-Finger Propulsion     Bass Bows 
 Pinky Bow-Tasks     ‘Casting’ the Bow-Hand    Bow-Wrist Tasks    Rotational Inertia    Arco    Clay Smile Exercise    Meet ANGLE 

The Bow-Arm Box     The Shoulder Arc     Bow Contact-Point     String Lanes     Bow-Segment Mastery     Bowing Exercises 

Finding the Bow Contact-Point     “Painting With Sound”     Bowing Exercises Menu     Bow Taps     Bowing Traditions 

Perform Down-Bows     Perform Up-Bows     The Art of the Bow-Change     Articulations     Staccato     Legato 

Mastery Checkpoint One     Building Bow Control     Bow Speed and Bow-Arm Motion     Bow Planning and Distribution

Slow Moving Bow Strokes     Individual Bow Segments     Traveling the Bow     Bowing Dynamics     Mastery Checkpoint Two 

Advanced Techniques     Slurs and Articulations     Slur Training     Locating the Bow’s Balance Point     Ricochet and Spiccato 

Exploring Ricochet     Ricochet Control     Spiccato Training     Spiccato Control     Spiccato Brush Strokes 

Multiple String Crossings     Virtuosic Bow Strokes     Arpeggio Bowing     “Flying” Staccato     Mastery Checkpoint Three 

SCROLL’s List of Bow Strokes